the Sanctuary of Santa Maria di Casaluce in the province of Caserta, formerly part of a castle of Norman origin arose during the eleventh century, has a great historical and artistic importance as a major example of fourteenth-century art in 1300. In fact, what was the first Norman fortress built in Italy and around the Mediterranean basin, was transformed into a monastery given following the order of Celestine, who took over officially in 1360, and which for many centuries to come the nursed, enlarged and embellished with fine paintings in Florence, and equipping of important Byzantine icon, the shrine holds, in fact, the Byzantine icon of the eleventh century. Santa Maria and two of Casaluce hydrias that history associated with the jars used by Jesus Christ to do his first miracle at the wedding at Cana of Galilee, when the monks of Casaluce left the monastery in the summer months, guests of the monks Aversana exposing the icon of Our Lady of Casaluce for public veneration, that encourage the strengthening of the cult, which after the suppression of the monks, it was alleged by the people Aversa. The two pastors agreed with the permanence of the icon in Aversa six months and six months while the two Casaluce hydrias remained on permanent display in the Shrine of Casaluce. The calm was apparent until they began a discussion on the properties of the canopy silver melted in 1624. The issue was brought before the Council of the Hospices, and he was right of the people Casaluce. L '8 January 1853 a government decree at the request of casalucesi restored to that of 1744 in which Avery could get the icon for only two months. At the same time following an instance of Aversana in March 23, 1857 fixed the existing eight months and four Casaluce to Aversa with the translation of the annual June 15 to Oct. 15 at Avery and Casaluce.
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